You are inside the Overton Museum, its unusual exhibition of African glassware now thick with dust. The building has been heavily barricaded.

A portable generator has been set up here. It is out of fuel. One room of the museum has been cleared, for the display of a blown-glass sculpture, a glass table, a glass globe and a glass vase.

Somebody has spraypainted Crabapple museum. Glory of ages onto a wall.