You are inside the Overton Museum, its unusual exhibition of African glassware now thick with dust. The building has been extremely heavily barricaded.

A portable generator has been set up here. It is out of fuel. One room of the museum has been cleared, for the display of three cubist sculptures, two blown-glass sculptures, a historical tapestry, a glass bowl, a glass table, a European painting, a human skeleton and two cracked sculptures.

Somebody has spraypainted Crabapple Feces Museum onto a wall.